Beatrice Douaihy is a digital creative examining how virtual (im)materiality shapes our existence by using lo-fi technology, glitch, and the written word to extract metaphor from the structuralism of digital interfaces. She seeks to make palpable the subliminal relationships and synchronicities embedded in digital-analogue interaction. 

 Also a musician, she supports fellow artists in the Toronto rock scene through music composition and visual arts; credits include Pretty, The Effens, Joncro, Huge Cosmic, the Boy in Bloom (2019) soundtrack, Witchxhat and Animal Type. Her gothic doomgaze musical project Uncaught (in promise) released its debut EP in 2020.


2021 BFA with Distinction in Integrated Media: Digital Painting and Expanded Animation, Minor in Digital & Media Studies, OCAD University


2021 – Mercer Union: Administration and Communication Assistant

2020 Art Gallery of Hamilton: Digital Content Assistant

2020 OCAD University: Student Community Ambassador

2019 – 2020 The National Ballet of Canada: Audience & Donor Services Representative

2018 – 2019 H-Hour Marketing: Videographer + Graphic Designer


2021 (upcoming) #ShowLoveTO, Toronto Animated Image Society (TAIS)/BigArtTO, Toronto

2020 Festival Lingua Franca: Virtual Edition, The World Wide Web/Toronto

2020 Wavelength X OCAD U, Ignite Gallery, Toronto

2019 The Effens EP Release Show, The Baby G, Toronto


2021 GradEx 106, OCAD University, Toronto

2019 Text • ure: woven words, OCADU Writing & Learning Centre, Toronto


2019 “Utopia in the Polygon: Vaporwave Animation," research essay Journal of Visual & Critical Studies vol. 4


2021 Bluma Appel Award, OCAD University

2016 Highest Mark in Qatar for Media Studies, Outstanding Cambridge Learner Award


2020 – volvox vault magazine: Managing Editor

2019 Images Festival: Volunteer (Box Office + FOH)

Using Format